![]() His eye for creating almost photographic snapshots of ancient Greek nymphs and other mythological beings was unrivaled.Īn evident theme in many of his works is his representation of the nude female form, which reflected themes of innocence, coyness, an intimacy between viewer and subject, as well as idyllic settings that would immerse the viewer into a completely different reality. If one browses through the works of Herbert James Draper, one will instantly recognize and become charmed by the elegant and gentle appeal of his painting style. The Lament for Icarus by Herbert James Draper: An Analysis Dateĭespite the drop in his popularity, The Lament for Icarus by Herbert James Draper remained one of the best depictions of a Greek myth since its creation. During Draper’s later career, his popularity steadily declined with only traces of his influence seeing a revival much later. Since 1890, he had been an active participant in the Royal Academy’s annual expositions, however, his membership was continuously overlooked for many years. Towards the more mature period of his career, the public taste for mythological subjects declined, leading Draper to opt for a more conventional genre such as portraiture. 1890) by Herbert James Draper Herbert James Draper, Public domain, via Wikimedia CommonsĪmong the most well-known examples of his nude works include The Water Nixie (1908) and The Kelpie (1913). Draper’s draftsmanship was incredibly meticulous and almost seductive in his depictions of nudity. ![]() His most praised specialty was the way that he depicted the human figure, whether male or female, that was always elegant, refined, and sensuous. ![]() Draper’s main subjects revolved around his interest in ancient Greek subjects and mythological narratives.
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